RECOMENDACIONES SEMANALES (WEEKLY RECOMENDATIONS)

OREYEON – THE GROTESQUE WITHIN (Italia) stoner, fuzz, doom, heavy-psych

ELECTRIC HYDRA – FROM THE FALLEN (Suecia) heavy-rock, metal, stoner

SULA BASSANA – TIME TRAVEL-RARE &OBSCURE TRACKS FROM THE DECADES (Alemania) experimental, kraut, space, psychedelic-rock, instrumental, electronic,

TICKLE THE SAGE – JOURNEY (Bulgaria) heavy-psych, psychedelic-rock, space, stoner

MOON MOTHER – MEADOWLANDS (Suecia) dark-folk, psychedelic-rock, post-rock, alternative

STARGO – VIOLET SKIES (Alemania) Stoner, stoner- metal, heavy-rock, psychedelic-rock

KABASSE – ABOU SITTIN ON FENCES (Alemania) psychedelic-rock, art-prog, jazz, progressive

KRÖWNN – SANTA SOMNIA (Italia) metal, doom, thrash, doom-metal

OOGWEI – EXTREMELY WICKED, SHOCKINGLY EVIL, TWISTED AN VILE (US) heavy-psych, stoner, heavy-rock, psychedelic-rock

OATH – UNTEACH (Grecia) stoner-doom, heavy-psych, heavy-metal, doom-metal

INSPIRED BY ILLUSIONS – INTERFERENCES (Alemania) instrumental, post-rock, post-metal, progressive, psychedelic

THE FUTURE SOUND OF KOYAANIS NAQOY  – ANCIENT IMPULSES OF A PARANOID IDOL (Italia) experimental, psychedelic, drone, electronic

AXIOM9 – MISSION UNKNOWN (España) hevy-psych, insttumental, jam, space, Stoner, progressive

DROWING WITCH – DROWING WITCH (Finlandia) doom, doom-metal

PHANTOM DRUID – ILLUMINATION OF THE DEATH MASK (Paises Bajos) doom, doom-metal, stoner-doom

THE WRIGHT VALLEY TRIO – LEBEN IST SCHMERZ (Alemania) doom, drone, metal, sludge

MR. CRABMAN AND THE SEAWEEDS – NOTHING IN RETURN (Finlandia) sludge, metal, stoner

ELECTRIC SABBATH –  WIZARD & THE OCCULT VOL. 1 (US) stoner, doom, drone, metal

BURN WITCH – DOPELICH (US) sludge, doom, metal, stoner

THE PREACHERS – LITTLE GREEN REAPER (Dinamarca) garage-rock, psychedelic-rock, stoner, garage-punk

FROM YUGGOTH – AND EVER SINCE MY PATHS WERE CROOKED AND FORSSAKEN (Alemania) doom, metal, stoner-doom,

V.A. WITCHING BUZZ -OCULT VIBE HAVEN – IRON’S MAN TRIBUTE A OZZY heavy-rock, Stoner, sludge, doom, hard-rock, psychedelic-rock

KRISA – I’M GONN SWING FROM THE CHANDELIER, FROM THE CHANDELIER (Bielorusia) doom-metal, sludge, stoner-doom, metal

SNEKY MUSTARD – THIS WILL EXPLAIN EVERYTHING (Grecia) heavy-rock, alternative-rock

KYOTE RADIO – HABITATS (US) psychedelic-rock doom metal, grunge, heavy psych, stoner

DIEPSNEA – RADICI (Italia) metal, black-metal

THUNDER VOLT – DANGEROUS (Rusia) stoner, sludge, doom, metal

BORROWER – KILLERDEMOS (Italia) heavy-rock, trash, prog, metal

Hellgrimm Resurrection (US)

RECOMENDACIONES DE LA SEMANA (WEEKLY RECOMENDATIONS)

SON CESANO.- ‘SON CESANO’ (Austria) heavy-psych, psychedelic-rock, instrumental, post-rock

LÁGOON.- ‘BURY ME WHERE I DROP’ (Canada) fuzz, garage-doom, proto-doom, proto-punk, psycho-doom, stoner (reseña aquí)

VITSKÄR SÜDEN.- ‘THE FACELESS KING’ (US) heavy-psych, progressive-rock, heavy-rock, psychedelic-rock,

ROSY FINCH.- ‘SECONDA MORTE’ (España) sludge, alternative, Stoner, metal, progressive, 90’s (reseña aquí)

UPUPAYÄMA.- ‘THE GOLDEN POND‘ (Italia) psychedelic-rock, psychedelic, folk, kraut, oriental

BROWN ACID (RIDING EASY RECORDS).- ‘THE FIFTEENTH TRIP’ (US) 60’s, heavy-psych, hard-psych, psychedelic-rock, acid-rock, garage-rock

WARLUNG.- ‘VULTURE’S PARADISE’ (US) Stoner, psychedelic-rock, heavy-psych, fuzz

INTERKOSMOS.- ‘BEYOND HIBERNATION‘ (Alemania) psychedelic, space, insturmental, kraut

SULA BASSANA.- ‘SHUSHIOE’S REISE’ (Alemania) experimental, electronic, drone, psychedelic

GRAVEN DÄGGER.- ‘GRAVEN DÄGGER’ (Argentina) heavy-blues, psychedelic-rock, stoner, hard-rock

ZONE SIX.- ‘FULL MENTAL JACKET‘ (Alemania) psychedelic-rock, kraut, space, heavy-psych

NOTHING IS REAL.- ‘THE END IS NEAR’ (US) Doom, psychedelic-rock, sludge metal, progressive metal.

DEAD MAN’S GRIEF.- ‘EMBRACE SORROW & SOLITUDE’ (UK) doom, fuzz, sludge, metal

DIRT FORGE.- ‘INTERSPHERAL‘ (Dinamarca) stoner, post-metal, sludge

FUZZ VOYAGE.- ‘HEAVY COMPASS DEMO‘ (US) Stoner, heavy-psych, doom, fuzz

FALSE FIGURE.- ‘CASTIGATIOS‘ (US) post-punk, desth-rock, dark-punk

ROSARY.- ‘TELESTAI‘ (Polonia) proto-doom, doom,heavy-metal

BLACK MIRRORS.- ‘TOMORROW WILL BE WITHOUT US’ (Belgica) rock, grunge, alternative,

FUZZNAUT.-APOPHENIA’ (US) Stoner, doomgaze, shoegaze, doom, psychedelic-rock, post-metal

STONE REBEL.- ‘THE TOLD AND THE UNSPOKEN’ (Francia) instrumentyal, heavy-psych, psychedelic-rock, psychedelic, Stoner, jam

INDIGNU.- ‘ADEUS’ (Portugal) post-rock, shoegaze, psychedelic, instrumental

JERKY DIRT.- ‘CHIRALITY’ (UK) Stoner, heavy-psych, progressive, psychedelic-rock, desert-rock, fuzz, hard-rock

BHOPAL’S FLOWERS.- JOY OF THE 4TH’ (Canada) psychedelic, 60’s, raga, rock, psychedelic-pop, acid-rock

ORBITER.- A GODDAMN CLASSIC’ (Noruega) Stoner, heavy-metal, hard-rock,

GURANFOE.- ‘GUMBO GUMBO‘ (UK) progressive-rock, psychedelic-rock, jam band, rock

MISSING TIME.- ‘PROMETEUS’ (US) progessive-rock, psychedelic-rock,

EVRAAK.- ‘EVRAAK I‘ (Japón) progressive-rock, experimental

THE GROGANS.- ‘WHICH WAY IS OUT‘  (Australia) surf, psychedelic, 60’s, pop, psychedelic, surf-rock

BURNING SISTER.- ‘MILE HIGH DOWNER ROCK’ (US) Stoner, doom, stoner rock, heavy psych, acid rock, noise rock

THE GRAND MAL.- ‘THE GRAND MAL II’ (UK) Stoner, hard-rock, heavy-rock, psychedelic-rock, grunge

ROTT.- ‘PAHNTOM FUZZ’ (US) fuzz, doom, heavy-rock, stoner

STONEMAN.- ‘HASHTRAL PROJECTION’ (US) Stoner-metal, doom, metal , fuzz

FROGLORD.- ‘ARMY OF FROGS’ (UK) sludge, Stoner Stoner-metal, fuzz, psychedelic-rock

ECHOLOT.-  ‘CURATIO‘ (Suiza) psychedelic-rock, Stoner, heavy-psych, rock, sludge, progressive-metal

SARCATOR.- ‘ALKAHEST‘ (Suecia) metal, trash metal, speed metal

EXPIATORIA.- ‘SHADOWS’ (Italia) doom-metal, metal, doom, dark

THOU SHALT SEE.- ‘ANCIENT HORROURS’ (Alemania) doom, psycho-doom, heavy.psych, instrumental, sludge

RECOMENDACIONES DE LA SEMANA (WEEKLY RECOMENDATIONS)

FREEDOM HAWK.- ‘TAKE ALL YOU CAN‘ (US) 70’s. 80’s, hard-rock, heavy-rock, stoner, proto-metal, psychedelic-rock (reseña aquí)

SULA BASSANA.- ‘NOSTALGIA’ (Alemania) heavy-psych, 70’s, psychedelic, progressive, space, psychedelic-rock, kraut (reseña aquí)

COSMIC FILTH.- ‘THE COVEN OF PINK VENUS PARTS 1 & 2’ (UK) psychedelic-rock, 70’s, space, Stoner, heavy-psych

PLANET HUNTER.- ‘MOSCOVIU‘ (Nueva Zelanda) Stoner, alternative, hard-rock, grunge

NOISE RIVER.- ‘NOISE RIVER EP’ (Polonia) stoner, heavy-blues, hard-rock, fuzz, blues-rock

PIONERA.- ‘BOLSA DE PLASTICOS’ (España) porst-hardcore, alternative, Stoner, psychedelic-rock

BEASTIAL PIGLORD.- ‘ARCHETYPE OF NOISE’ (US) Stoner, doom, psychedelic,

FRAYLE.- ‘SKIN AND SORROW’ (US) doom, hard-rock, experimental, psychedelic-rock, dark

FUZZ VOYAGE.- ‘HEAVY COMPASS DEMO’ (US) fuzz, Stoner, heavy-psych, doom

THE SKYSPEAKERS.- ‘ECHO HALL’ (US) ocult-rock, Stoner, heavy-psych

MEZZOA – ‘DUNES OF MARS’ (US) hard-rock, Stoner, psychedelic-rock, grunge, fuzz

TORNET.- ‘DOMEDAGAR‘ (Suecia) Rock, 70’s, progressive-rock, vintage

DIRTY GRAVE.- ‘UNCONSCIOUS DAYS‘ (US) doom, proto-metal, doom-metal

THE MURLOCKS.- ‘RAPSCALLION’ (Australia) psychedelic, blues, garage, psychedelic-rock

COSMIC GROUND.- ‘ISOLATE’ (Alemania) drone, experimental, noise

BRENNENSTUHL.- ‘NO’ (Alemania) jazz, acid-rock, experimental,

JASON BLAKE,. ‘THE COMPROMISE RATIONALE’ (US) instrumental, progressive, experimental,drone

MASSIVE STONE.- ‘ANIMALS, HUNGRY GHOSTS, AND HELL BEINGS’ (Portugal) alternative, Stoner, grunge hard-rock, psychedelic-rock

Reseña: SULA BASSANA.- ‘Nostalgia’

Con veinte años de carrera, el ex guitarra de ELECTRIC MOON, Sula Bassana, publica un álbum con canciones que fueron compuestas y grabadas entre 2013 y 2018, y que parecen reflejar su lado más introspectivo. Con una notable influencia de los sonidos kraut, y psico-progresivos de los 70’s, la mirada espacial se muestra más rockera que trabajos anteriores. Evolucionando en su sonido, las canciones se presentan con elementos que las hacen mutar a un escenario más futurista y espacial. Sinfonismo, golpes de pesadez y elementos exóticos, conforman un trabajo introspectivo presidido por una extraña oscuridad. Porque los suaves pasajes de sus canciones, nos invitan a mirar hacia nuestro interior en este gratificante viaje sonoro. Mas melódico pero los suficientes elementos psicodélicos y espaciales, Sula no tiene rubor en mirar al jazz para dar brillo a alguno de los temas, como también tiene reparos en aportar riffs más contundentes y ácidos en algunos pasajes. Pero sobre todo, el flujo constante de suave rock espacial, preside el conjunto de las canciones.  Con alguna voces chamánicas, las canciones cobran un gratificante poder narcótico para sumir al oyente en un mágico sueño lleno de alicientes.  ‘NOSTALGIA’ no es de esos álbumes que te pones por las mañanas para despertarte, pero si de los que te ayudar a la relajación y a la expansión de la mente, porque en eso, Sula es un maestro.

Después de algunos álbumes más orientados a la electrónica, este nuevo disco está enfocado más al estilo de los álbumes orientados al rock como Dreamer, The Night, Dark Days o Live At Roadburn 2014.

Sula Bassana es el pseudónimo de  Dave Schmidt, el multi-instrumentista, que toca en Zone Six e Interkosmos (y ha tocado en Electric Moon, Psychedelic Monsterjam, Krautzone, Weltraumstaunen, Liquid Visions, Growing Seeds, etc.).

Toda la música compuesta, interpretada, grabada, producida y mezclada por Sula Bassana (Dave Schmidt) en su Amöbenklangraum. Música grabada entre 2013 y 2018. Últimas sobre-grabaciones y voces grabadas entre 2019 y 2021.

Sula toca guitarras, bajos, batería, sintetizadores, órgano, Mellotron y sitar eléctrico e incorpora algunas voces en las pistas 1 y 2. ‘NOSTALGIA’ está disponible vía Sulatron Records.

‘Real Life‘ nos sumerge a las primeras de cambio en una atmósfera meditativa. Un entorno psicodélico ejecutado desde la calma y enriquecido con calidad y chamánicas voces, algo que supone una novedad en las composiciones de Dave. Su pausado tempo, hace que el corte se tome su tiempo para eclosionar, pero cuando sucede, lo hace de una manera esplendorosa. Melodías envolventes con un cierto tono floydiano, se conjugan con una pesadez intrínseca pero comedida. Sus exóticas melodías salidas de las cuerdas del sitar flotan en ese apacible espacio sonoro para gratificar nuestros sentidos proporcionando al oyente una grata sensación de bienestar y relajación. Prescindiendo de los elementos electrónicos que habían marcado sus álbumes previos, la canción es todo un bálsamo sensorial impregnado en sustancias psicotrópicas. La parte final nos ofrece un espacio monumental espacio psico-progresivo de gran belleza.

En un tono más experimental ‘We Will Make It’ explora calmados espacios psicodélicos. Un suave susurro adornado con bellas melodías de guitarra va evolucionando a un entorno de oscuridad de gran magnetismo.  Una mirada a los orígenes del kraut rock de los 70’s con los suficientes elementos psicodélicos como para seducir a los amantes de los sonidos más ‘viajeros’ Estamos ante una canción que hace gravitar livianamente sus elementos con un resultado balsámico para el oyente. Hipnótico y misterioso, el corte se adorna con un tono espacial que es como un gratificante viaje a los confines del cosmos. A pesar de los numeroso sintetizadores, la canción mantiene ese espíritu rockero predominante en todo el álbum.

Cuando pones a una canción el nombre de ‘Nostalgia’ no parece difícil adivinar cual puede ser su contenido. La dulzura en tonos grises aparece en cada nota proporcionando una atmósfera melancólica con ciertos elementos jazz. Su elegante sinfonismo le aporta un aroma vintage muy apetecible. Aquí los elementos progresivos predominan entre suaves ritos que no terminan de explorar, sino que mantiene la calma y la tristeza a lo largo de toda la canción.

‘Wurmloch’ nace entre efectos creando una sensación de misterio desde algún lugar del cosmos infinito. Un reducto para los sonidos espaciales auspiciado por los sintetizadores en una nueva experimentación sónica.  Sus tonos futuristas se envuelven en una neblina narcótica que rebaja la tensión. Explotando con dinamismo, sus tonos kraut aparecen sin complejos, mientras los efectos revolotean en el ambiente creando un espacio en el que la psicodelia espacial se desarrolla en su hábitat natural. Usando todos los ingredientes característicos del género, consigue crear otra banda sonora de película de ciencia ficción. El tema mas espacial e hipnótico del álbum. En la parte final, la canción se dota de profundos solos de guitarra rebosantes de psicodelia y una mayor intensidad rítmica. Un tránsito evolutivo que funciona a la perfección.

El álbum cierra con la oscura ‘Mellotraum’. Sin salir de ese escenario futurista, l canción parece incidir más en la exploración progresiva con un persistente tono sinfónico. Completamente instrumental, los sonidos de un nuevo mundo se presentan ante el oyente ofreciendo un espacio innovador. Suave y balsámico, el corte no desdeña algunos momentos kraut en su sinfonismo empírico.

 Sula Bassana 

Sulatron Records

Interview.- SULA BASSANA (ZONE SIX)

INTERVIEW to DAVE SCHMIDT (SULA BASSANA) (ZONE SIX) (ELECTRIC MOON), (KRAUTZONE), (INTERKOSMOS) (SULATRON RECORDS) (ex-LIQUID VISIONS) (ex-SOLARIS) (ex-TWILIGHT NETWROK) (ex- WELTRAUMSTAUNEN

DenpaFuzz: It’s been more than 20 years since ZONE SIX was born, making it one of the most influential groups in the contemporary scene of psychedelic space improvisation and kraut-rock. Firstly, how has Zone Six changed since 1997?

Dave: So much! I don’t know if I played in another band, that changes musicians so often, hahahaha. The current line-up is exactly the Electric Moon team, but next gig we add a friend on 2nd guitar, Manuel Wohlrab, who also played a concert with us in early 2019. Due to the fact I founded the group and take control about everything, the style has not changed, but the sound always depends on the musicians who are involved in a recording or liveconcert.

DenpaFuzz:  How would you define Zone Six to someone who has never heard the group?

Dave: Uh, difficult. Everyone listens to music in a different way, so, it’s hard to tell. But it’s always experimental psychedelic trancerock.

We meet and do spontaneous composings in realtime. Sometimes we can remember it and can re-produce it live, like Song For Richie. But most time we play only for the moment

DenpaFuzz: You guys have various projects such as Electric Moon, Zone Six, Krautzone, Interkosmos… am I forgetting any? How do you maintain all of the projects while still running Sulatron Records? Are all of the groups still together or are any of them inactive now?

Dave:Interkosmos is in a hiatus since the last gig in 2010. But I hope Sergio, Bernhard (Pablo Carneval) and me will meet again, for new recordings or a live concert. Krautzone seems to be a one off project, or two off, hahahhaa. We met 2 times for recordings. So, only Zone Six and Electric Moon are playing live at the moment.

DenpaFuzz: How do you make Zone Six songs? At the time of compositions, do you create the songs do you work with Lulu and Rainer? In the case that it’s only you, do you decide beforehand which song you want to use for which group?

Dave: We meet and do spontaneous composings in realtime. Sometimes we can remember it and can re-produce it live, like Song For Richie. But most time we play only for the moment. Later, after recording, I chose tracks and cut them down to normal length (at least not longer than 25 minutes, hahahaha) and we do some overdubs or whatever… I only “wrote” some basslines for Zone Six in the past. That’s it.

ZoneSix-2011-2-web

DenpaFuzz: As opposed to Electric Moon, where you play the guitar, in Zone Six you’re on the drums and synthesizers. Which instrument do you feel most comfortable with when developing creatively?

Dave: Drums are not easy for me, my knees became unwell and I prefer to play other instruments. That’s also one reason why Pablo is playing drums in Zone Six now, at least live and on the split LP with Arc Of Ascent! So, I’m back on Guitar and keyboards…
But to answer your question: I love to compose on Keyboards and Guitar, and on Bass. 🙂

The styles are mixing and everything is called psychedelic…

DenpaFuzz: ”Kozmik Koon” is the first studio album since 2015, if I remember correctly. Why now? Do you feel like there’s a proper time to resume activity with each group or how is it decided?

Dave: It come as it comes. In the meantime we did a split LP with Arc Of Ascent (2018), which was a studio recording. But not a whole album. Things also take their times… most basics for the new album were recorded in 2015! And 2016. That’s the reason why I played drums on “Kozmik Koon”.

DenpaFuzz: What inspired you to construct the spacial odysseys that we find on ¨Kozmik Koon¨?

Dave: We decided to take these parts of our recordings and I produced the flow of the album.

DenpaFuzz: The album starts with ¨Machinenseele¨, where you explore mostly spacial sounds with some progressive moments and a touch of Kraut. Later you offer two calmer, shorter space-cutting themes such as «Raum” and «Still», concluding with another long jam that’s more psychedelia and space. Is this a concept album or does each song have their own story? Could you explain the song distribution to better understand the album?

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Dave: It’s all about emotions and flow. Not a constructed story. It’s not a concept album. But a typical Zone Six album, with interleaved songs and so a whole trip to enjoy.

DenpaFuzz: With this new album, is it safe to say that Zone Six will make a return in the scene? Is there any tour planned?

Dave: Return? We never were huge in the scene, only hitting stages from time to time, like sonic rebels. 🙂 We have one show planned for 2020 so far (31.01. in Marburg).

So we try to play live a bit less next year. Sorry for that, but our private life suffers too much when we play that often…

DenpaFuzz:  What’s your opinion on the Space-Psych scene currently?

Dave: What can I say? The styles are mixing and everything is called psychedelic… is there any REAL Spacerock band outside, like Hawkwind in the first years? I don’t know…

DenpaFuzz: What type of music do you listen to in your spare time? Any favorite contemporary groups? And regarding the classics, what are some favorites?

Dave: A lot of different stuff. Starting with Electronic Music from the 70s (Tangerine Dream, Klaus Schulze, Jarre, Kitaro etc.), 60s psychedelic like Pink Floyd, Ultimate Spinach, Arzachel, C.A. Quintett just to name a few. Some Wipers, some indan raga music, some other ethnical stuff or fusions, like Atman, Huun Huur Tu with Angelite and the Russian Art Trio, or whatever touches me. I also like some actual groups from the “scene”, like Earthless,  Sherpa, Seven That Spells, Sun Dial, Cave and Bitchin Bajas, or the Japanese invasion of Minami Deutsch and Kikagaku Moyo and so on… so many bands/projects, I can’t remember them all, maybe including some very important. 😉

DenpaFuzz: This past spring we saw each other in Freak Valley, where I could finally see you play-which is something I had been wanting. The improvisation with the guys from Arc of Ascent, Bill from Bushfire, and Lulu as ¨Electric Puha¨ was absolutely amazing. It was like living in an authentic gift, a truly wonderful experience. How you were feeling in that moment?

Dave: Great. I was happy to jam with our friend Craig (also from Lamp of the Universe) and his buddies. And Bill is a superlovely guy too, happy he came with us!

ZoneSix-2011-web

DenpaFuzz: Should we be waiting for anything new from any of your other bands? Any new projects unfolding?

Dave: Oh, always! 🙂 My 6-CD Box (and 6-LP Box) is coming soon. This is a huge project which makes me super happy and proud! Also we have a lot in production with Electric Moon. Also new Sula stuff will come in 2020! Ah, and a nice album we (Lulu and me) did with Lex from Seedy Jeezus last year. We just need to add some overdubs.

DenpaFuzz: Will we see you in Spain soon or do I have to go back to Germany to see you? Hahaha

Dave: Come here! 😀 We need more time to finish and produce recordings. So we try to play live a bit less next year. Sorry for that, but our private life suffers too much when we play that often…

DenpaFuzz: Thank you so much for you works and I hope ¨Kozmik Koon¨ is well received by the public. Is there any last thing you would like to say top your fans?

Dave: Thanks so much. The vinyl issue is almost gone now (1 week after releasedate), so I guess people do like it. What to say in this weird world, full of things I can’t understand. I mean politics and the unrespectful treatment of our wonderful planet. I just wanna stay at home and make music. Or going into the woods, which brings joy and peace to me. Don’t like it to be on the road anymore. Doing this for sooo long now.

Traslation: Abigail Simpson